How to Prevent Dress Side Seams from Twisting

Your trusted Women’s Apparel Manufacturer from China

A dress can look beautiful on a hanger, photograph well on a model, and still fail after the customer wears it twice. One of the quietest but most damaging problems is side seam twisting. The side seam begins where it should, then slowly crawls toward the front thigh, rolls toward the back hip, or spirals after washing. For fashion brands, this is more than a sewing defect. It affects fit, product photos, customer reviews, return rates, and the buyer’s trust in the manufacturer. In fast fashion womenswear, the issue is even more sensitive because many styles rely on fitted shapes, shiny fabrics, stretch panels, body contouring, or long fluid hems. A small seam shift can make a bodycon dress look cheap, a satin slip dress look badly cut, or a printed maxi dress look poorly controlled.

Side seam twisting is prevented by controlling fabric stability, grain direction, pattern balance, cutting accuracy, sewing tension, wash testing and bulk QC before production scales. The problem is rarely caused by one single step. A reliable dress factory must treat it as a full-process risk, from fabric inspection to final garment measurement.

The dangerous part is that twisting often appears late. A sample may look acceptable, the first fitting may pass, and the bulk fabric may seem fine. Then the dress is washed, steamed, packed or worn, and the side seam starts moving. That is why professional dress production must ask one practical question early: will this seam still stay straight after the customer lives in the dress?

What Causes Dress Side Seams to Twist?

Dress side seams twist when fabric movement, pattern imbalance, cutting direction or sewing tension creates uneven force between the front and back panels. The seam shifts because the garment is trying to release stress. In dress production, the problem usually starts before final sewing, so prevention must begin with fabric testing, pattern checking and controlled cutting.

Side seam twisting is easy to blame on the sewing line, but that is usually too simple. A sewing operator may make the issue visible, yet the real problem may have started earlier in the fabric roll, paper pattern, marker layout or sample approval process. A side seam is the meeting point of many decisions. It carries the balance between front body width, back body width, hip curve, hem sweep, fabric stretch direction and seam tension. When one decision is wrong, the seam becomes the place where the garment complains.

For a brand producing mini dresses, bodycon dresses, satin slip dresses, resort dresses or party dresses, this issue matters because dresses are judged visually from every angle. A twisted seam may make a bodycon dress look cheaper, a satin dress look badly cut, a printed dress look misaligned, or a maxi dress look pulled to one side. The customer may not say “the garment has fabric spirality,” but she will say, “the dress fits strangely,” “the seam keeps moving,” or “it looks crooked after washing.”

In production, the best question is not only “Who sewed this seam?” The better question is “Where was the first twisting force created?” That mindset helps teams diagnose the problem before it repeats across bulk production. If fabric already rotates after relaxation, the material should be questioned. If the cut panels are off, the cutting plan must be reviewed. If the sample twists only after washing, shrinkage and fabric recovery need attention.

Possible Cause	What Usually Happens	Where to Check First	Common Risk Level
Fabric spirality	Seam rotates after washing or wearing	Fabric relaxation and wash test	High for jersey and rib knit
Off-grain cutting	Dress hangs diagonally or side seam leans	Marker layout and cut panels	High for satin, chiffon and viscose
Pattern imbalance	Seam pulls toward front or back on body	Fit sample and pattern curves	High for fitted dresses
Uneven sewing tension	One side stretches or puckers	First production pieces	Medium to high for stretch fabrics
Shrinkage difference	Seam moves after washing or steaming	Fabric and garment wash test	High for rayon, viscose and knits

What Is Side Seam Twisting?

Side seam twisting means the seam no longer stays on the intended side line of the dress after wearing, washing, steaming or hanging. On a well-balanced dress, the side seam should run cleanly from the underarm, waist or high hip down to the hem, depending on the design. When twisting happens, the seam may rotate toward the front thigh, move behind the hip, or form a diagonal line around the body. This is different from a small sewing wave or a pressing mark. Twisting shows that the garment’s internal forces are not balanced. On fitted silhouettes, even a 1-2 cm seam shift can become visible because the fabric is sitting tightly against the body.

Is It a Fabric, Pattern or Sewing Problem?

Side seam twisting is rarely caused by one single mistake. In real dress production, it is often a chain reaction. Fabric may already have skew or spirality. The pattern may not balance the bust, waist and hip correctly. Cutting may ignore grainline or stretch direction. Sewing may stretch one layer more than the other. The finished garment then shows the accumulated problem at the side seam. A useful diagnosis checks the garment in stages: relaxed fabric, cut panels, sewn sample, fitted sample and washed garment. Each stage shows whether the problem belongs to material behavior, pattern balance, cutting accuracy, sewing control or wash recovery.

Why Does Twisting Often Appear After Washing?

Washing releases stress that may be hidden inside fabric and seams. A dress can look straight after pressing, but once water, heat and drying affect the fabric, the yarns and panels may relax in different directions. That is why many twisting problems appear only after the first wash or after the garment has been worn for a few hours. Knit dresses are especially sensitive because loop structure and yarn torque can create spirality. Rayon, viscose and lightweight woven dresses may shrink or shift after washing. Lined dresses can also twist if the outer shell and lining do not behave the same way.

Why Brands Should Care Early

For a fashion brand, side seam twisting can affect product reviews, return rates and repeat orders. Even a small seam movement can look serious in customer photos, especially on fitted, shiny, solid-color or printed dresses. If the issue appears after bulk production, repair is difficult and expensive. Prevention is always cheaper than correction. This is why experienced dress manufacturers treat side seam control as a development issue, not only a sewing issue. The right process checks fabric behavior, pattern balance, cutting accuracy, sewing tension and wash performance before the order moves into full production.

Which Fabrics Are More Likely to Twist?

Fabrics more likely to twist include single jersey, rib knit, stretch mesh, rayon, viscose, satin, chiffon, linen blends and bias-cut fabrics. These materials are sensitive to yarn torque, skew, shrinkage, drape, stretch recovery or cutting direction. The softer, stretchier or more fluid the fabric is, the more carefully side seam stability must be controlled.

Fabric choice is one of the biggest predictors of side seam stability. Many brands choose fabric by hand feel, drape, shine, elasticity or photo effect, but a production team must also ask how the fabric will behave after cutting, sewing, steaming, washing and wearing. A beautiful fabric can become a quality risk if it twists under stress.

Knit and stretch fabrics are high-risk because their loops and elastane recovery can create rotation. A bodycon dress made from jersey or rib knit has very little room to hide seam movement. The fabric is pulled across the bust, waist and hip, then stretched again when the wearer sits or walks. If the stretch direction is inconsistent or the fabric has spirality, the side seam becomes unstable.

Woven fabrics have different risks. Satin, chiffon, crepe, rayon and viscose may not spiral like knit, but they can twist when cut off-grain or when the fabric is not relaxed before cutting. Shiny satin makes seam distortion more visible because light reflects along the wrong line. Chiffon and lightweight rayon can shift during spreading and cutting. Linen blends may distort if the grainline is not respected. Bias-cut styles are even more sensitive because the fabric is intentionally cut at an angle.

Fabric Type	Common Dress Use	Main Twisting Risk	Practical Control Point
Single jersey	Bodycon dress, casual dress	Spirality after wash	Wash test before bulk
Rib knit	Fitted dress, tank dress	Rib line rotation	Check wale direction
Stretch mesh	Party dress, cut-out dress	Layer shifting during sewing	Control tension and lining
Ponte/Roma	Structured knit dress	Uneven recovery	Test stretch and recovery
Cotton-spandex	Casual fitted dress	Shrinkage and torque	Relax before cutting
Polyester-spandex	Clubwear, bodycon	Overstretch during sewing	Adjust feed and stitch type

Which Knit Fabrics Need Extra Control?

Single jersey, rib knit, cotton-spandex, polyester-spandex, nylon-spandex, stretch mesh, ponte and lightweight sweater knit all need extra control. These fabrics can stretch, recover, curl or rotate during production and after washing. Single jersey is one of the most common risk fabrics because yarn torque may cause spirality, especially if the fabric was not properly finished or relaxed. For bodycon dresses, club dresses and fitted jersey dresses, the side seam is under constant body tension. It stretches across the bust, waist and hip, then recovers when the wearer moves. If the fabric recovery is uneven, the seam may slowly rotate.

Which Woven Fabrics Need Grain Checking?

Satin, chiffon, crepe, rayon, viscose, linen blends, cotton blends and suiting fabrics need careful grainline checking. Woven fabrics do not usually spiral in the same way as knits, but they can still twist when cut off-grain or spread under uneven tension. Satin needs particular attention because shine makes distortion more visible. If a satin dress side seam leans, light reflection can make the whole garment look twisted. Chiffon and lightweight woven fabrics can shift easily during spreading and cutting. Rayon and viscose have beautiful drape, but they may shrink or grow after steaming.

How Do Stretch, Bias and Lightweight Fabrics Behave?

Stretch, bias and lightweight fabrics move more than stable woven fabrics. Stretch fabrics react to body pressure. Bias-cut fabrics grow and hang under gravity. Lightweight fabrics can shift during cutting and sewing. Each of these behaviors can pull the side seam away from its original position. A bias satin slip dress may look elegant because it follows the body softly, but that same softness can pull the seam forward if the panel balance is wrong. A chiffon maxi dress may twist if the fabric layers move during cutting. A stretch mesh dress may twist if the mesh and lining have different stretch recovery.

How Fabric Choice Affects Bulk Risk

A fabric that works for one dress style may fail in another. A stretch jersey may be safe for a relaxed T-shirt dress but risky for a tight ruched mini dress. A lightweight viscose may work for a loose resort dress but create twisting in a fitted midi dress. The fabric must be judged together with the style, not separately. For brands planning multiple colors or repeated seasonal styles, fabric risk records are valuable because they help the next order avoid the same problems.

How Does Pattern Balance Prevent Twisting?

Pattern balance prevents twisting by distributing tension evenly across the front and back panels. A balanced dress pattern respects bust shape, waist position, hip curve, side length, hem sweep and fabric behavior. If one panel pulls harder than the other, the side seam will tilt, rotate or curve, even when the fabric and sewing look acceptable.

Pattern balance is the part many non-technical teams underestimate. A dress side seam is not just a connection line. It is also a balance line between the front body and the back body. When the front waist is too narrow, the back hip is short, the bust curve is underdeveloped, or the hem sweep is uneven, the seam starts moving toward the stronger tension.

This matters most in fashion dresses because style lines are often aggressive. A corset dress may have tight waist shaping. A bodycon dress may use negative ease. A slip dress may rely on bias drape. A cut-out dress may remove fabric in key support zones. A ruched dress may intentionally pull fabric to one side. A one-shoulder dress may create asymmetric tension. In each style, the side seam must be engineered, not simply copied from a basic block.

Good pattern control starts with comparing the design intention against the physical body. For example, if a fitted midi dress is designed for a strong hourglass silhouette, the side seam must follow bust, waist and hip distribution accurately. If the hip curve is too straight, the wearer’s body will push the seam forward or backward. If the back panel does not allow enough seat room, the side seam may drag toward the back. If the front panel is too long at the waist or abdomen, diagonal folds may appear and pull the seam.

Pattern Area	Practical Check	Common Problem If Ignored	Useful Control Reference
Bust line	Front width and side curve	Upper seam pulls forward	Check on body, not only flat
Waist line	Waist level and curve symmetry	Seam tilts at narrowest point	Left/right level should match visually
High hip	Front/back distribution	Diagonal drag lines	Compare fit sample movement
Full hip	Ease and curve balance	Seam rotates around hip	Critical for fitted dresses
Side length	Front/back side seam length	Uneven hanging	Match before sewing
Hem sweep	Front/back hem balance	Lower seam twists	Check after hanging

How Should Front and Back Panels Align?

Front and back panels should align at the underarm, bust, waist, high hip, full hip and hem. These balance points help the side seam stay in the right position when the dress is worn. If the front and back seam lengths only match because one layer is stretched during sewing, the seam may twist later. Pattern teams often use notches to control alignment. For a fitted dress, notches at the waist and hip are especially important. For a long dress, additional control points may be needed along the side seam. For lined dresses, the lining must be checked as carefully as the outer shell.

How Do Bust, Waist and Hip Curves Affect Seams?

Bust, waist and hip curves affect side seams because the body is three-dimensional. If the pattern does not give enough room where the body needs it, the fabric will pull from another area. That pull often shows at the side seam. On a bodycon dress, the hip curve is a major control point. If the back hip is too tight, the side seam may drag backward. If the front hip or abdomen area is too narrow, the seam may pull forward. On a corset dress, waist shaping may hold the body firmly, but the bust and high hip still need enough balance.

How Should Dress Length and Hem Balance Be Checked?

Dress length and hem balance should be checked after the garment has relaxed on a hanger or form. This is especially important for bias-cut satin, chiffon maxi dresses, viscose dresses, resort dresses and long fluid styles. A dress may look correct immediately after sewing but drop unevenly after hanging. For mini dresses, hem imbalance may be easier to spot because the length is short and close to the body. For midi and maxi dresses, gravity plays a bigger role. If one panel grows more than the other, the side seam can start leaning.

Why Pattern Correction Should Happen Before PP Sample

Pattern correction should happen before the pre-production sample because bulk production repeats whatever the approved sample contains. If the side seam is already slightly unstable in the fit sample, it may become worse in larger sizes, stretch fabrics or after washing. For multi-size orders, grading can also affect seam balance. A pattern that works in size S may not behave the same way in size XL if bust, waist and hip growth are not balanced correctly. Pattern records and fitting notes help maintain consistency across future production.

For brands working on seasonal dress collections, pattern management is not only about one sample. It is about making fit and quality repeatable across colors, sizes, fabrics and reorders. A manufacturer with pattern correction, sample review and bulk quality control can identify seam movement early instead of allowing the same issue to travel into production.

How Should Fabric Be Prepared Before Cutting?

Fabric should be prepared before cutting by relaxing the fabric, checking grainline, reviewing skew, confirming stretch direction, testing shrinkage and controlling spreading tension. Cutting should not start while fabric is still stressed from rolling or transport. If stressed fabric is cut too early, panels may change shape later and cause side seam twisting.

The cutting room is where many side seam problems become permanent. Before cutting, fabric may be rolled under tension for storage and transport. Once opened, it can relax, shrink, widen, curl, skew or reveal shade differences. If the factory cuts immediately, the panels are cut based on a temporary fabric condition. Later, when the fabric returns to its natural state, the garment changes shape.

For fast fashion dresses, cutting preparation must balance speed and stability. Brands need quick development and reliable delivery, but rushing fabric preparation can create expensive defects. A side seam twist discovered in a sample can be corrected. The same twist found in hundreds or thousands of finished dresses becomes a commercial problem. Fabric relaxation and grainline checking are not slow, old-fashioned steps. They are risk control steps.

Different fabrics need different preparation. Jersey may need relaxation to remove roll tension. Rib knit may need vertical rib alignment. Satin may need careful grain checking and face direction control. Chiffon may need stable spreading to prevent shifting. Printed fabrics need print direction and panel placement review. Stretch mesh needs stretch direction confirmation. Lining fabric must be checked too, because lining can pull the outer shell if its shrinkage or stretch behavior is different.

Do Fabrics Need Relaxing Before Cutting?

Many dress fabrics need relaxing before cutting, especially jersey, rib knit, stretch mesh, viscose, rayon, chiffon, satin and fabrics stored under strong roll tension. Relaxing allows the fabric to return closer to its natural shape before panels are cut. If the fabric is cut while stretched, the finished dress may shrink back and distort. Relaxing time depends on fabric type and roll condition. A stable woven fabric may need less time, while a high-stretch rib knit may need longer. Lightweight viscose and rayon need careful handling because they can shift or grow. During spreading, the team should avoid pulling the fabric to make it look smooth.

How Should Grainline and Fabric Skew Be Checked?

Grainline and fabric skew should be checked before marker placement. In woven fabrics, the warp and weft should sit correctly. In knit fabrics, the wale direction should run straight. If the fabric direction is already distorted, the cut panels may twist after sewing or washing. A simple visual check can catch many risks. Vertical ribs should run straight. Printed stripes should not lean. Satin shine should follow the approved direction. For woven fabrics, the crosswise grain should not bow heavily. For high-risk materials, a small wash or steam test can show whether the fabric keeps its direction after treatment.

How Can Print Direction and Stretch Direction Be Controlled?

Print direction and stretch direction can be controlled by marking face side, print orientation, nap direction, shine direction and stretch direction before cutting. Every marker should show the approved panel placement. This is especially important for floral prints, stripes, rib textures, satin, velvet and stretch dresses. For stretch dresses, the greatest stretch usually runs around the body, but the final decision depends on design and fit. If one panel is cut in a different direction, the side seam may rotate under body tension. Panel labels, notches and cutting records help prevent these errors during bulk production.

Why Cutting Accuracy Matters More in Bulk

Cutting accuracy matters more in bulk because a small error repeated across hundreds or thousands of pieces becomes a large quality issue. A sample cutter may handle one dress carefully, but bulk cutting involves layers, markers, spreading tension, fabric defects and production speed. Without control, one unstable fabric roll can create many twisted garments. For high-risk styles, factories should check cut panels from the top, middle and bottom layers. This helps confirm whether fabric movement occurred during cutting. Once wrong panels enter the sewing line, the side seam problem becomes much harder to correct.

How Can Sewing Control Stop Side Seam Movement?

Sewing control stops side seam movement by managing seam tension, feeding layers evenly, matching notches, choosing the right stitch type and checking the first production pieces carefully. Even with correct fabric and pattern, poor sewing can stretch one layer, create puckering or lock distortion into the garment.

Sewing is where hidden technical decisions become visible. A side seam may look like a simple operation, but the operator must control two fabric layers that may behave differently. One layer may be slightly stretched. One may feed faster. One may curl. One may be slippery. One may be lining. If the machine tension, presser foot pressure, stitch type, thread, needle or operator handling is wrong, the seam can become unstable.

For woven dresses, the main risks are puckering, uneven feeding, seam slippage and distortion along curved hip areas. For knit dresses, the main risks are overstretching, wavy seams, torque after sewing and poor recovery. For satin, stitch tension and handling pressure must be controlled because needle marks and puckering are visible. For mesh and lace, the seam needs enough strength without damaging delicate structure. For sequin dresses, seam bulk and trimmed sequin edges can affect how the side seam sits.

A professional production floor should not wait for final QC to discover seam movement. Side seam control should happen at the first production piece, in-line inspection and final inspection. The first pieces should be laid flat, measured and tried on if the style is high-risk. Operators should compare side seam shape against approved samples. QC should check whether the seam runs smoothly, whether the hem aligns, whether the waist and hip notches match, and whether both left and right side seams behave the same.

How Should Seam Tension Be Managed?

Seam tension should be matched to the fabric, stitch type and garment fit. The goal is to join the panels without stretching, compressing or twisting either layer. For stretch dresses, the seam must move with the body but recover smoothly. For woven dresses, the seam should stay flat without puckering or pulling. Machine settings matter. Thread tension, presser foot pressure, needle size, stitch length and differential feed can all affect seam behavior. Satin and chiffon often need finer needles and careful tension because puckering is visible. Jersey and rib knit need stitches that can stretch without breaking or waving.

How Can Uneven Feeding Be Avoided?

Uneven feeding can be avoided by using clear notches, correct machine settings, proper handling and experienced operators. The operator should never pull one layer simply to make the seam ends match. Pulling may hide the mismatch at the machine, but the garment can twist after pressing, washing or wearing. Long side seams need control points. For fitted dresses, waist and hip notches are essential. For maxi dresses, additional side seam notches may help prevent gradual shifting. Slippery fabrics such as satin and chiffon may need slower sewing speed. Stretch fabrics may need differential feed adjustment.

How Should Side Seams Be Checked During Production?

Side seams should be checked during production at first-piece approval, in-line inspection and final inspection. The checks should include seam straightness, left-right symmetry, notch alignment, puckering, waist position, hip position, hem balance and post-pressing appearance. For fitted dresses, flat inspection is not enough. The side seam should also be checked on a form or model because body tension can reveal movement that is invisible on the table. For lightweight or bias-cut dresses, hanging review is also useful. For washable dresses, seam position before and after washing should be compared.

Why Sewing Cannot Fix Every Earlier Mistake

Sewing control is important, but sewing cannot fix every earlier mistake. If the fabric has strong spirality, sewing straighter will not stop the seam from rotating after washing. If the pattern is unbalanced, the seam may still pull on the body. If panels are cut off-grain, the operator can only join incorrect pieces more neatly. This is why sewing teams need clear technical information from fabric, pattern and cutting teams. They need approved samples, notches, seam allowances, construction notes and handling instructions. Good sewing works best when the previous steps are already controlled.

How Do Wash Tests and QC Prevent Bulk Problems?

Wash tests and QC prevent bulk problems by revealing seam movement before large-scale production ships. A dress should be checked before and after washing for seam deviation, shrinkage, recovery, hem balance and overall fit. Good QC records help brands decide whether to adjust fabric, pattern, sewing or care instructions before approving bulk.

Wash testing is one of the most honest tests in dress manufacturing. A garment can be steamed into shape for photos. It can be pressed beautifully for sample approval. It can even pass flat measurement before washing. But after washing, the fabric tells the truth. If there is hidden torque, poor shrinkage control, off-grain cutting or tension imbalance, the side seam often reveals it.

For fashion brands, wash testing is also a business decision. Not every dress needs the same wash-test standard. A dry-clean-only evening dress has different requirements from a washable jersey bodycon dress. A sequin cocktail dress may focus more on seam stability, embellishment durability and pressing behavior. A rayon vacation dress may need stronger shrinkage and twisting review. A satin slip dress may need steam and hang tests. The important point is to set the right test for the real customer use scenario.

For large apparel clients, documentation matters. A factory that only says “we checked it” creates weak trust. A factory that records fabric behavior, sample comments, wash results, pattern changes, side seam deviation and final QC findings gives the client a stronger evidence chain. That evidence chain is also useful for future repeat orders because the team does not restart from zero every season.

Are Pre-Production Wash Tests Necessary?

Pre-production wash tests are necessary for washable dresses, knit dresses, rayon dresses, viscose dresses, lightweight woven dresses, stretch styles and any dress where seam position affects appearance. The test helps confirm whether the side seam stays stable after water, heat and drying release fabric stress. The best time to test is before bulk cutting. A fabric shrinkage test should come first, followed by a sample garment wash test when risk is high. For fitted dresses, side seam position should be checked on the body after washing. For dry-clean-only styles, steam and hanging tests may be more relevant than machine washing.

What Should Be Checked After Washing?

After washing, the dress should be checked for side seam deviation, bust, waist and hip measurement change, side length change, hem balance, fabric surface condition, lining behavior, zipper distortion and seam puckering. The garment should be compared with its pre-wash measurements and photos. For practical production, measurements should focus on areas that affect fit and visual balance. Bust, waist and hip changes show whether the garment still fits. Side length and hem balance show whether the dress hangs correctly. Lining should be checked separately because lining shrinkage can pull the outer dress out of shape.

How Should Bulk Side Seam Quality Be Documented?

Bulk side seam quality should be documented with approved sample references, measurement charts, wash-test records, in-line QC notes, final inspection results and photos of key seam areas. Documentation makes quality control repeatable and reduces arguments between brand and factory. For repeat orders, records are especially valuable. Pattern files, fabric references, trim details, measurement files and packing requirements help the next batch follow the same standard. Good documentation is not just office work. It protects fit consistency, bulk approval and long-term product quality.

How Brands Can Reduce Risk Before Production

Brands can reduce side seam risk by giving the manufacturer clear information before sampling. Useful materials include tech packs, reference samples, front, back and side photos, fabric preferences, target fit, size chart, wash-care expectation and quantity plan. A tight rib mini dress, a satin bias slip dress and a chiffon resort maxi dress should not be developed with the same technical assumptions. Each style needs a different fabric test, pattern balance check, cutting method and QC focus. When the brand and factory discuss these points before sampling, the final dress is more likely to stay stable in real customer use.

QC Stage	Side Seam Control Point	Decision Value	Useful Record
Fabric test	Shrinkage, skew, stretch recovery, spirality	Decide whether fabric is safe for style	Fabric test sheet
Fit sample	Body movement and seam position	Correct pattern before PP sample	Fit comments and photos
PP sample	Final construction, seam tension, wash result	Approve or adjust before bulk	Approved sample report
In-line QC	Seam direction, notch match, puckering	Stop repeated defects early	Inspection notes
Final QC	Post-pressing seam shape and measurements	Confirm shipment quality	Final inspection record
Repeat order	Compare new batch with past standard	Maintain consistency over time	Pattern and fabric archive

Start a Custom Dress Project

Jinfeng Apparel supports custom women’s fashion development for brands that need reliable dress sampling, fabric review, pattern correction, bulk production, QC, private-label packaging and repeat-order support. The company’s MOQ starts from 200 pcs per style/color, depending on fabric availability, color development, trims, construction complexity and production schedule. If your next dress collection includes bodycon, satin, mesh, lace, sequin, jersey, resort, party or occasionwear styles, share your tech pack, reference sample, fabric direction or size chart with the team. A focused review before sampling can help prevent side seam twisting before it becomes a bulk production problem.

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Jerry Lee

Hello everyone, I'm Jerry Lee, the founder of jinfengapparel.com. I have been operating a factory in China that produces women's clothing for 16 years. The purpose of this article is to share knowledge about women's apparel from the perspective of a Chinese supplier.